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> I think the goal is to launch the next ASCAP/BMI/SESAC and basically charge astronomical rates for songs people want to hear. Songwriters will love it and artists will have no choice.

In US, for mechanical royalties, the rates are set by government. So yes, they could charge whatever they want for live and synch, but that would have much smaller impact on the general population.



For anyone else who didn’t know, synchronization rights let you use the music for TV, movies, commercials, and some more things

https://entertainmentlaw.uslegal.com/music-industry/synchron...


I believe negotiated rates are often lower than compulsory rates, for a variety of reasons I couldn't begin to fully comprehend except in the abstract.

This may be less true in the digital streaming realm, but it's hard to tell through all the rhetoric.




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