One of the eyewitnesses to Bach's playing was Constantin Bellermann. (chronicled in the Bach Reader)
Bellermann wrote about a pedal solo that Bach played: he “ran over the pedals so quickly that his feet appeared winged, with a thundering fullness of sound, and penetrated the ears of the listeners like a bolt of lightning”, and that he “was admired in amazement” by Prince Frederick van Hessen. The prince removed a jewelled ring from his hand on the spot and gave it to Bach. If he had earned that just with the speed of his feet, wondered Bellermann, what would the prince have given him if Bach had used his hands as well?
I saw her in Chicago in 2009, playing the pipe organ at the Rockefeller Chapel, in a wonderful but utterly poorly-promoted performance. The audience was tiny for such a magnificent space, and I thought it a crying shame.
It's hard to think of a pipe organ as a jazz instrument, but then again, any instrument is a jazz instrument.
Bellermann wrote about a pedal solo that Bach played: he “ran over the pedals so quickly that his feet appeared winged, with a thundering fullness of sound, and penetrated the ears of the listeners like a bolt of lightning”, and that he “was admired in amazement” by Prince Frederick van Hessen. The prince removed a jewelled ring from his hand on the spot and gave it to Bach. If he had earned that just with the speed of his feet, wondered Bellermann, what would the prince have given him if Bach had used his hands as well?