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Respectfully, without a place to read about the intimidation tactic of statues, I'm not sure that I put much weight in it. An alternative explanation on the timing could for example be that people in the majority in those communities sensed that the tides of public opinion were shifting, and they felt a strong desire to reach backward and preserve the past that they had fought for, which they felt like they were now losing. This seems more likely just psychologically to me, with the primary element being about a sense of independence and not really about slavery specifically.

As for blacks in America today, it's complicated to discuss and I'm not sure I have the wherewithal to go down all the paths. I think to some degree your picture is based on the news and what is visible, rather than what we know people actually think. Does BLM/the mob speak for all blacks? Are there any who dissent, on either the history, today's context, the solutions, or all three? Yes, definitely. And if opinions vary, should we not attempt to understand whether or not there is a right or wrong, and proceed according to rightness? If it is not about right or wrong, but the perception of offense, what does that mean? If a symbol stands for something good, and one person out of a million falsely perceives it to be a hate symbol, is that sufficient for a teardown? What if it were 10% or 50%? Is it just a matter of threshold? Do we even know the percentages today for what's happening before we let the mob do its thing?

I think a lot of people are smart enough to know that there is a difference between representing "an ideal version of America," and specific ideals that individuals represented. Washington for example largely representing the fight for independence; Roosevelt standing for social justice; Lincoln for freedom and equality - not American utopia.

When considering people as symbols it is important to isolate what they did that made them stand out from their time, from their common beliefs or actions that were the same as everyone else. Without doing that, we expose symbols to the injustice of being judged by modern moral standards, and sacrifice the good that we isolated. Like it or not, the acceptance of slavery was not exceptional in Washington's time. The ability and bravery to lead a revolution certainly were exceptional. The exceptional is what we isolate and create a symbol from.

It is of course possible to have been exceptionally cruel within the time of American slavery, which would be a reason to not symbolize someone. But that isn't the case for these figures and in fact Washington eventually came to flip his perspective on slavery in his lifetime.

The morality of the past is fixed and the morality of the future is in perpetual development, meaning that if we continue to take the same approach that's happening now, all symbols will eventually be lost in time, because with an unbound future we will likely run the gamut of what is considered right and what is considered wrong in any given "now." By keeping this up, we deprive ourselves of a story and a guideline of history to help us project our own future. We sacrifice timeless positive principles to shifting moral discoveries. We leave our children with less guidance.

Can't put in any more - you get the last word!



> I think a lot of people are smart enough to know that there is a difference between representing "an ideal version of America," and specific ideals that individuals represented. Washington for example largely representing the fight for independence; Roosevelt standing for social justice; Lincoln for freedom and equality - not American utopia.

There are mainstream politicians and political commentators who explicitly say that racism used to be a big problem in the United States but that it simply does not exist any more. I suspect it's a very common belief.


> Respectfully, without a place to read about the intimidation tactic of statues, I'm not sure that I put much weight in it.

Five seconds of googling yielded several results from when this was last discussed in a major way, in 2017:

NPR piece includes a chart of dates for confederacy iconography: https://www.npr.org/2017/08/20/544266880/confederate-statues...

HuffPo piece says it was never about "history and culture": https://www.huffpost.com/entry/confederate-monuments-history...

Vox talks a bit about the process:

"But the story of the monuments is even stranger than many people realize. Few if any of the monuments went through any of the approval procedures that we now commonly apply to public art. Typically, groups like the United Daughters of the Confederacy (UDC), which claimed to represent local community sentiment (whether they did or did not), funded, erected, and dedicated the monuments. As a consequence, contemporaries, especially African Americans, who objected to the erection of monuments had no realistic opportunity to voice their opposition."

See: https://www.vox.com/the-big-idea/2017/8/18/16165160/confeder...

And then some newer pieces:

https://www.history.com/news/how-the-u-s-got-so-many-confede...

https://www.wral.com/confederate-monuments-were-meant-to-int...




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