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> I got to a pretty good technical competence with my trumpet but at the end of the day I could only play what was on the sheets.

This is pretty much how music is taught to all students learning 'classical' and was my experience as well. Most never really learn anything about music at a fundamental level, and can even have an entire career in the classical world not really knowing anything about what's going on in the music. Random story, but one night here in NYC I got asked by someone to bring out a visiting musician from Spain to hear some music, who had been playing in a major symphony there since the 80s (can't remember if it was Barcelona Symphony or Spanish National Orchestra). Brought him to Smalls in the West Village to catch whoever was playing that night. He was really impressed, kept on leaning over asking "how is that piano player doing that with no sheet music???". It's just not part of a regular classical musician's training, unless they're working to be a composer as well.

But back to your point, I felt the same way with music in my schools growing up. No one ever taught you how to actually play music, they just gave you sheet music and said "play this". It wasn't until much later that I started working with a jazz teacher privately that I got introduced to all the chords, scales/modes, and theories that'd you need to improvise or play music with others. Honestly, I probably would have been better off in high school if someone had told me to drop music classes altogether, handed me a bass or guitar or synth, and said go have fun with a few friends in a garage.



As far as I am concerned, classical music in conservatoire includes music theory and instrument trainings. To play in an orchestra, especially semi famous one, most likely you would need to follow an university/similar degree.

Any exam is done without a music sheet, music theory always include composition. Chord progressions comes surely later in music theory but harmony is key from classic repertoire,and counterpoint from baroque era repertoire.


Oh, absolutely. I'm not saying that a professional musician at a major symphony doesn't know about theory -- this guy I took out was clearly very accomplished in his field and went to conservatory for it. Even the classical education I had up through high school included harmony and chords. But there is a difference between knowing the theory from a technical perspective to be tested on, and completely embodying it and using it to make music. Here's a recent video of my friend's group playing [1] -- everyone involved has a world-class level of understanding of theory, but uses it to improvise, not just to read sheets.

And let's not forget that a lot of 'classical' musicians back in the day were expected to be able to improvise as well. There's just a different priority for a 'classical' performer these days and a 'jazz' performer.

[1] https://www.youtube.com/watch?v=Y_BE_gi4YkA




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