> The writers all talk about how hard it was to write any sort of interesting story when you were forbidden from showing conflict between the main cast of characters.
And the show was all the better for it. Writers are lazy, too, and conflict between main characters is by far the cheapest way of creating drama, and the main way fiction differs from reality. Being strongly discouraged from using this shortcut is what gave TNG-era Star Trek another unique feature, that's almost unseen in shows and movies (sci-fi or otherwise): the main cast, and Starfleet in general, are portrayed as competent professionals who are good at their jobs and work well together. It's kind of what you'd expect from people whose dayjob is flying around on FTL-capable WMD platforms.
But yeah, Roddenberry had various peculiarities that needed pushback on. Constraints breed creativity, I guess?
And the show was all the better for it. Writers are lazy, too, and conflict between main characters is by far the cheapest way of creating drama, and the main way fiction differs from reality. Being strongly discouraged from using this shortcut is what gave TNG-era Star Trek another unique feature, that's almost unseen in shows and movies (sci-fi or otherwise): the main cast, and Starfleet in general, are portrayed as competent professionals who are good at their jobs and work well together. It's kind of what you'd expect from people whose dayjob is flying around on FTL-capable WMD platforms.
But yeah, Roddenberry had various peculiarities that needed pushback on. Constraints breed creativity, I guess?